I’m quite hesitant to post about my latest tasting experience at the Coup de Grace wine shop. It was absolutely amazing. It was inspiring. It was grand. So why not share it with the rest of the world as my first instinct urges me to do?
Because they were trophy wines. The kind of wines you read about and never actually think you’ll drink. The bottles that wine critics, fortunate businessmen and friends of friends boast about. The empty trophies that throne in wine shop displays and kitchen shelves, as if even the recycling bin was too lowly an end to these mythic labels.
And yet…. I was inspired, so I’ll risk distancing myself for a moment, but I look back at this evening with humility, gazing up at the stars which I was able to touch a single magical moment. But don’t expect any pretty pictures. They were in my smart phone, where I stored their identity for memory’s sake. They are not trophy shots. This is not a trophy post.
Burgundy vs. Rhone
This was the theme of the tasting. My theme turned out to be austerity vs. charm. Over the course of the tasting, the Burgundy reds were stoney, mineral, tight, harsh, challenging. The Rhône wines were lush, generous, fruity, full, intense. Diametrically opposed. I wouldn’t generalize this to regional differences, as I’ve had a fair share of some very charming Burgundies, and ultra dense Rhône reds. But this is how the wines of the evening behaved. They were poured in pairs side by side, semi-blind (though I hadn’t received the list). We started slowly with some great values by well-respected producers, after moving on to the big guns.
Mise en bouche
Ironically, on the nose, the first Burgundy of the tasting was probably the fruitiest, with bright berry aromas and a wonderful elegance that had me thinking Côte de Beaune. On the palate however, the Prieuré Roch 2010 Ladoix “Le Clou” (+) was still a bit young, with grainy tannins and a good dose of acidity, but also some added depth. I suppose the wine seemed more austere in contrast to the fully blossomed l’Anglore 2010 les Traverses (+). This simple Vin de France was intense! Ripe berries and a full, fleshy body made it a winner for me.

Next were two magnificent wines. In Burgundy, the Domaine Ponsot 2009 Chambolle-Musigny “Cuvée des Cigales” (++) was the definition of terroir wine. Ultra tense, stoney minerality, this slender red was perfectly defined and yet lacked nothing in intensity and concentration. I was on the 2008 vintage, and was stunned to see it was actually from the very ripe 2009. This one also needs more time, but I enjoyed it immensely already for its purity. But then…. my wine of the night. Well, at least as far as sheer pleasure and especially value! La Pialade 2007 Côtes du Rhône (++). wow. An absolute stunner. The 3rd wine of Château Rayas (Fonsalette is actually on a different terroir), this 20 euro ripe fruit explosion somehow remained focused and highly drinkable with a great length. Man, this is good. Apparently, it’s hard to get, but I need to find some more!

The main event
On to the heavyweights, which actually began with a disappointment for me. A legendary name, legendary Grand Cru terroir, and a legendary vintage to boot. Comte Georges de Vogüé 1999 Bonnes-Mares (-). Definitely austere, with admittedly a nice purity, but little else in terms of excitement. Others loved the wine, claiming its austerity was not for everyone. Perhaps I’m missing out (though I loved the previous ultra-tight Chambolle), but in the end, it failed to impress. Our host pointed out that I had finished this glass far quicker, praising the wine’s drinkability. I responded that I finished it quicker because I kept coming back to it, searching for that special something, and coming short each time. Wines like these probably need much more time in bottle before revealing their magic.

On the other hand, the delicious Château Rayas 2001 Châteauneuf du Pape (++) was lovely. Sweet stewed fruits on the nose had me thinking of an older Châteauneuf (early to mid 90s) though a fresh character of dried herbs and pine needles emerged slowly, lifting the balance. On the palate, the wine lost the sweetness and the massive beam of fruit remained focused (a house style?) with an incredible concentration and finish. I took my time with this one, and it just got better and better.
Whites
And what better finish to an evening than a pair of insane whites? The first wine’s origin was quite obvious, with overwhelming sea shell aromas and a tightly wound acid structure. I did not expect the 2003 vintage however, as this Domaine Raveneau Chablis 1er cru Montée de Tonnerre (++) had a remarkable tension, and while already a tad evolved, the minerality was even more present than on the Dauvissat I had over the holidays, minus the ripe fruit. In fact, it was quite dry and skeletal, which is right up my alley. The subtle oak influence barely appeared on the finish, without affecting the overall style. A great Chablis!
While the other white almost had me in the Rhône with its almond and honeyed notes, one sip brought me right back to Burgundy. With its luscious fruit and beautiful mineralty, I would have guessed a Chevalier Montrachet. The fact that we were in Meursault surprised me, as its an appellation I’ve often found to be overly oaked, even with other fancy producers. It would seem, however, that Comtes Lafon is an estate which masters this aspect of wine making. The 2002 Meursault-Charmes 1er cru was a beauty. The oak was present here, but never overwhelming. Simply perfect. The ideal balance of pleasure and intellect, which ended the evening with a reminder that sometimes, one need not seek out extremes to find excitement.